Allan Holdsworth
From Freepedia
Allan Holdsworth (born August 6, 1946) is a British guitarist and jazz composer.
Allan Holdsworth ranks with Jimi Hendrix and John McLaughlin as one of the key figures in the history of the electric guitar. Holdsworth is felt by many to be one of the most significant figures in the development and evolution of the electric guitar in the modern era, and has been described as "the guitarist's guitarist". This is based on the complexity of his compositional and improvisational work, as well as his astounding technical skill. Reviewers have compared his compositions to Lizst, and he is also lauded for his peerless technique by rock guitarists such as Edward Van Halen ("He's the best in my book.") and Yngwie Malmsteen ("I had to take my hat off to him.").
The unique efficiency of his playing style, and his mathematical approach to mentally mapping out the fretboard allows him to 'see' symmetrical finger patterns, which produce note flourishes associated more in keeping with the saxophone playing style of Wayne Shorter and John Coltrane than the voicings one might be used to hearing from the guitar.
Holdsworth pioneered several techniques that have been widely imitated by other guitarists. These include using an eight voice modulated delay to create a chorusing effect that, combined with unusual closed voiced chords, create a very piano-like sound from an ordinary electric guitar. He uses a legato phrasing technique with light picking that causes a distorted guitar amplifier to produce a reedy, clarinet-like tone. A third innovative technique is using a volume pedal to "swell" chords into a long delay/reverb effect, generating the impression of an orchestral string section. These three techniques were used by Holdsworth to create the aural illusion of classical instruments, years before the invention of guitar synthesizers, and have been adopted by increasing numbers of guitarists such as Frank Gambale, Scott Henderson, Bill Connors, Alex Machacek, Scott McGill, Jacques LaGrec, Scott Freedman - even pop-prog band It Bites frontman Francis Dunnery.
Holdsworth has recorded many different styles of music over the years, including a brief flirtation with pop, in the form of a collaboration with British funk fusion pop band Level 42.
His first recording was with Igginbottom ('Wrench') in 1969. In the early Seventies, Holdsworth joined Jon Hiseman's Tempest, overlapping briefly with the legendary Ollie Halsall. Subsequently Holdsworth worked with jazz rock groups Gong, Soft Machine, The New Tony Williams Lifetime, Jean Luc Ponty and later in the decade he was a member the all-star progressive rock quartet UK with John Wetton, Bill Bruford and Eddie Jobson. Some of his notable instrumental work in the 70's can be heard on Lifetime's 'Believe It' album, and the first two (Bill) Bruford Band albums ('Feels Good To Me' and 'One Of A Kind'). At the end of the 70's, becoming increasingly frustrated by the music scene, Allan Holdsworth worked and recorded with long term collaborator Gordon Beck and one of the UK's leading jazz improvisors and drummer John Stevens.
He is also recognized for his own compositions, which vary in musical style from progressive fusion jazz (for example, his work with Soft Machine on their album Bundles), to romantic, chordal and "spacey" guitar-synthesizer works. He utilises an instrument called 'the SynthAxe', effective examples of which can be heard on the albums Atavachron, the SynthAxe only Flat Tire and the second CD of Against The Clock. It is Allan's SynthAxe recordings that motivated readers of Guitar Player magazine to vote him "Best Synth Guitarist" for several years. Although he is not the first guitarist to record with a synthesizer, he elevated the technique of synthesizer guitar to be on par with electric and acoustic guitar techniques. An incredibly down-to-earth musician, Allan famously said in his instructional video that he "doesn't really like the guitar", and prefers the sound of a saxophone.
Holdsworth was brought to the attention of Warner Bros. executive Mo Austin by Edward Van Halen, resulting in the 1983 Warner Bros. release of Holdsworth's album "Road Games". Edward Van Halen stated in Guitar Player magazine that Holdsworth was a major influence on his playing. This influence can be heard in Van Halen's "Push Comes to Shove" solo from the album "Fair Warning". Guitarists from diverse traditions including Joe Satriani, Pat Metheny, and John McLaughlin also acknowledge Holdsworth as a major influence. Although Allan downplays his impact on other musicians in published interviews, he has been acknowledged by many elite musicians as a source of inspiration.
Holdsworth's discography includes over fourteen titles as a band leader, yet he has recorded with many other notable muscians. A partial list of artists with whom Allan has recorded, other than those listed above, are Stanley Clarke, Carl Verheyen, Chad Wackerman, David Hines, K2, Riptyde and Gongzilla.
Recommended recordings are 'Atavachron', 'Metal Fatigue' (which includes the signature solo on 'Devil Take the Hindmost') and the beautiful 'Wardenclyffe Tower', which showcases Holdsworth's use of the baritone guitar.
Discography
Albums
| Title | Release | Remarks | |
|---|---|---|---|
| Velvet Darkness | 1976 | Never properly completed, this album is released by the label against Allan's wishes. | |
| The Things You See | 1979 | With Gordon Beck | |
| Sunbird | 1980 | With Gordon Beck. | |
| I.O.U. | 1982 | - | |
| Road Games | 1983 | Never fully considered completed by Allan until the 2001 CD release. Features Jeff Berlin and Jack Bruce. | |
| Metal Fatigue | 1985 | - | |
| Atavachron | 1986 | Inspired by the Star Trek: The Original Series episode, "All Our Yesterdays", for which a track is named. The title itself comes from the episode as well. | |
| Sand | 1987 | - | |
| Secrets | 1989 | - | |
| Wardenclyffe Tower | 1992 | Named for Nikola Tesla's Wardenclyffe Tower | |
| Hard Hat Area | 1994 | - | |
| None Too Soon | 1996 | A return to a simpler form, featuring the piano work of collaborator Gordon Beck. | |
| Heavy Machinery | 1996 | Released as a collaboration with Anders and Jens Johansson | |
| Sixteen Men of Tain | 1999 | The title appears to be named for the Glenmorangie Scotch | |
| Flat Tire | 2001 | - | |
| All Night Wrong | 2002 | A live album recorded in Japan on a recent tour. | |
| Then! | 2003 | A live album recorded in Japan in 1990 | |
| Against The Clock | 2005 | The Best of Allan Holdsworth, a 2-cd set. The first features the guitar; the second highlights his work with the Synthaxe. |
