Lola Montez

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Lola Montez
Born 17 February 1821
Grange, Ireland
Died 17 January 1861
New York, New York

Eliza Rosanna Gilbert (February 17, 1821January 17, 1861), better known by the stage name Lola Montez, was an Irish-born dancer and actress who became famous as the mistress of King Ludwig I of Bavaria.

She was born in Grange, County Sligo, Ireland and like many other aspects of her life, discrepant reports of her birth have been published. The statement that she was born in Limerick, Ireland, in 1818 (published by the Encyclopædia Britannica among others) is false.

In 1823 the Gilberts moved to India. Shortly after arrival her father died of cholera. Her mother remarried the following year and sent Eliza back to the British Isles to live with relatives of her stepfather.

In 1837 sixteen-year-old Eliza eloped with Lieutenant Thomas James. The couple separated five years later and Eliza became a dancer under a stage name. Her London debut as "Lola Montez, the Spanish dancer" in June 1843 was disrupted when she was recognized as Mrs. James. The resulting notoriety did not hurt her career and she quickly became famous both for her self-created "Tarantula Dance", and the expression "Whatever Lola wants, Lola gets." Amongst her lovers were Franz Liszt and Alexander Dumas. Liszt had introduced her to the circle of George Sand, which was one of the most sophisticated and advanced in European society. (source: Langer) A fictionalised version of Montez appears in Volume 2 of the Flashman Papers by George MacDonald Frasier, where she has a brief affair with Flashman

In 1846, she traveled to Munich, where she was discovered by - and quickly became the mistress of - Ludwig I of Bavaria. Ludwig made her Countess of Landsfeld on his next birthday, August 25, 1847. The following year, the Bavarians revolted, Ludwig abdicated, and Lola fled Bavaria for the United States.

From 1851 to 1853 she performed as a dancer and actress in the eastern United States, then moved to San Francisco in May 1853. There she married Patrick Hull in July and moved to Grass Valley, California, in August.

Lola came to Victoria to make her fortune by entertaining miners at the gold diggings during the gold-rush of the 1850s. Historian Michael Cannon says “In September 1855 she performed her erotic Spider Dance at the Theatre Royal in Melbourne, raising her skirts so high that the audience could see she wore no underclothing at all. Next day the Argus thundered that her performance was 'utterly subversive to all ideas of public morality'. Respectable families ceased to attend the theatre, which began to show heavy losses.” (Melbourne After the Gold Rush, p.313-4). She spent nearly four years in Victoria. At Castlemaine in April 1856, she was “rapturously encored” after her Spider Dance in front of 400 diggers (including members of the Municipal Council who had adjourned their meeting early to attend the performance), but drew the wrath of the audience by insulting them following some mild heckling.

She earned further notoriety in Ballarat when after reading a bad review in the Ballarat Times she chased the editor, Harry Seekamp with a whip. The "Lola Montes Polka" composed by Albert Denning was inspired by this event. She later moved to New York. On June 30, 1860, she suffered a stroke and was partially paralyzed for some time. In mid-December she had recovered enough to walk with a slight limp and went out for a stroll in the cold weather. She contracted pneumonia, lingering for nearly a month before dying one month short of her fortieth birthday. She is buried in Green-Wood Cemetery, in Brooklyn, New York.

Further reading

  • Lola Montez: A Life by Bruce Seymour

Lola Montes is also a 1955 film by Max Ophüls.



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