Aesthetics

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(Redirected from Philosophy of art)

Aesthetics (also esthetics and æsthetics) is the philosophy of beauty and art.

Thinkers and sages have pondered beauty and art all over the world for millennia, but the subject was formally distinguished as an independent philosophical discipline in the 18th Century by German philosophers. Before this period authors viewed the study as inseparable from other main topics, such as ethics in the Western tradition and religion in the Eastern.

The word in English was not used much until the beginning of the 19th Century. Its use comes from the German ästhetisch or French esthétique, (both from the Greek αισθητική meaning a perceiver or sensitive) and mainly facilitated translations of Immanuel Kant. It meant "the science which treats of the conditions of sensuous perception." Elsewhere the philosopher Alexander Gottlieb Baumgarten had taken it in German to mean "criticism of taste." Despite Kant's efforts to correct Baumgarten, this definition survived and Baumgarten is credited with inventing the modern use of the term. Thus, aesthetics is also an important part of critical theory.[1]

The meaning of aesthetic as an adjective may be illuminated by comparing it to anaesthetic, which is by construction an antonym. If something is anaesthetic, it tends to dull the senses or cause sleepiness. In contrast aesthetic may be thought of as anything that tends to stimulate or enliven the senses.

It is also a popularly used noun meaning "that which appeals to the senses." In this sense, for example, the aesthetics of mathematics would refer to those things in mathematics which appeal to the senses, and not necessarily a body of philosophical principles on the subject.


Contents

Aesthetics in specific arts

Visual arts

Within the visual arts aesthetic considerations are usually associated with the visual sense, however in both painting and sculpture the presence of the object is also perceived spatially and to some extent by the senses of smell, sound and texture as well as through recognised associations and context. The form of the work can be subject to an aesthetic as much as the content. With painting the aesthetic convention that we see a three dimensional representation rather than a two dimensional plane is so well understood that most people do not realise that they are making an aesthetic interpretation. This was the basis of abstract impressionism

Although any individual's aesthetic response to a work of visual art will be unique to that individual, many aesthetic principles can be identified and used by the creator of the work to achieve specific aesthetic effects. These include, tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movement, rhythm, unity/Gestalt, matrixiality and proportion.

Music

Main article: Aesthetics of music.

Music can affect our emotions, intellect, our body and our psychology; lyrics can assuage our loneliness or incite our passions. As such, music is a powerful art form whose aesthetic appeal is highly dependent upon the culture in which it is practiced.

Some of the aesthetic elements expressed in music include lyricism, harmony, hypnotism, emotiveness, temporal dynamics, resonance, playfulness, and colour (see Musical development).

Architecture

Applying aesthetic considerations to buildings and related architectural structures is complex, as factors extrinsic to spatial design (such as structural integrity, cost, the nature of building materials, and the functional utility of the building) contribute heavily to the design process.

Notwithstanding, architects can still apply the aesthetic principles of ornamentation, edge deliniation, texture, flow, solemnity, symmetry, color, granularity, the interaction of sunlight and shadows, transcendence, and harmony.

Performing Arts

Performing artists appeals to our aesthetics of storytelling, grace, balance, class, timing, strength, shock, humor, costume, irony, beauty, and sensuality.

Literature

Encompassing poetry, short stories, novels and non-fiction, authors use a variety of techniques to appeal to our aesthetic values. Depending on the type of writing an author may employ rhythm, illustrations, structure, time shifting, juxtaposition, dualism, imagery, fantasy, suspense, analysis, humor/cynicism, and thinking aloud.

In literary aesthetics, the study of affect creates an awareness of the deep structures of reading and receiving literary works. Affect refers to the emotional sense created in the reader or receiver of a literary work. These affects may be broadly grouped by their mode of writing, and relationship the reader assumes with time. Catharsis is the affect of dramatic completition of action in time. Kairosis is the affect of novels whose characters become integrated in time. Kenosis is the affect of lyric poetry which creates a sense of emptiness and timelessness.

Landscape Design

Landscape designers employ design elements such as axis, line, landform, horizontal and vertical planes, texture, and scale to create aesthetic variation within the landscape. They may additionally utilize pools or fountains of water, plants, seasonal variance, stonework, fragrance, exterior lighting, statues, and lawns as aesthetic elements.

Gastronomy

Although food is a basic and frequently experienced commodity, careful attention to the aesthetic possibilities of foodstuffs can turn eating into gastronomy. Chefs inspire our aesthetic enjoyment through the visual sense using colour and arrangement, as well as our senses of taste and smell using spices, diversity/contrast, anticipation, seduction, and decoration/garnishes.

Information Technology

The push to make all aspects of information technology as user-friendly as possible has led to a number of advances during the study of human-computer interaction. The design of the graphical user interface has been shown to have a great effect on productivity and the design of the computer hardware has seen unappealing boxes develop into common devices that no longer seem out of place in a living room. Software itself has aesthetic dimensions ("software aesthetics"), as do information-technology-mediated processes and experiences such as computer and video games.

Mathematics

Main article: Mathematical Beauty.

Most mathematicians derive aesthetic pleasure from their work, and from mathematics in general. They express this pleasure by describing mathematics (or, at least, some aspect of mathematics) as elegant. Sometimes mathematicians describe the creative activity of mathematics as an art form. Comparisons are often made with music and poetry. Hungarian mathematician Paul Erdős expressed his views on the ineffability of mathematics when he said "Why are numbers beautiful? It's like asking why is Beethoven's Ninth Symphony beautiful. If you don't see why, someone can't tell you. I know numbers are beautiful. If they aren't beautiful, nothing is."

Neuroesthetics

Cognitive science has also considered aesthetics, with the advent of neuroesthetics, pioneered by Semir Zeki, which seeks to explain the greatness of great art as an embodiment of biological principles of the brain, namely that great works of art capture the essence of things just as vision and the brain capture the essentials of the world from the ever-changing stream of sensory input.

See also

External links



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