Works which reference MIT

From Freepedia

The Massachusetts Institute of Technology, an educational and research institution in Cambridge, Massachusetts, has been referenced in many works of cinema, television and the written word. MIT's overall reputation has greater influence on its role in popular culture than does any particular aspect of its history or student lifestyle. Because the Institute is well-known as a breeding ground for technology and technologists, the makers of modern media are able to use it to establish character in a way that mainstream audiences can understand. This use of "MIT as metaphor" is relatively widespread. For example, U.S. Senator Richard Shelby (R-Alabama) touted the University of Alabama at Huntsville as a possible "MIT of the South" ^[1]. A smaller number of works use MIT directly as their scene of action.

1 Movies and television
2 Written works
3 Computer and video games
4 Music
5 References

Movies and television

Image:Good-will-hunting.jpg Frequently, when a character in Hollywood cinema is required to have a science or engineering background, or in general possess an extremely high level of intelligence, the film establishes that he or she is an MIT graduate or associate. (MIT can also be a comparative or a metaphor for intellect in general: "Would they think of that at MIT?") Numerous films indulge in this technique, including The Phantom Planet (1961) ^[2], Help! (1965), Ghost Busters (1984), Hackers (1995), Independence Day (1996), Orgazmo (1997), Armageddon (1998), Space Cowboys (2000), The Fast and the Furious (2001), Undergrads (2001), XXX (2002), Arrested Development (2003), The Recruit (2003), National Treasure (2004), The Fantastic Four (2005), Mr. & Mrs. Smith (2005), and E-Ring (2005).

James Burke's television series The Day the Universe Changed (1985) employs the same technique for a more academic purpose. In the episode "Point of View", which describes the discovery of perspective geometry and its ramifications, Burke spends a little time in the Italian city of Padua. This city, which hosted the second-oldest Italian university after Bologna, boasted a large concentration of intellectuals. In Burke's phrase, Padua was "the MIT of the fifteenth century". An episode of his later series Connections 2 (1994) uses a similar shorthand to characterize the seventeenth-century Royal Society.

Films set at MIT are less common than those which use the MIT name as metaphor. Nevertheless, MIT has been part of movie settings, in such films as Blown Away (1994), Good Will Hunting (1997) and A Beautiful Mind (2001). Most of the scenes for the latter two movies were in fact filmed elsewhere; although portions of Blown Away were shot on the Institute campus ^[3], the film still makes several geographical errors about MIT and Boston in general ^[4].

Some cinematic references to MIT betray a mild anti-intellectualism, or at least a lack of respect for "book learning". For example, Space Cowboys features the seasoned hero (Clint Eastwood) trying to explain a piece of antiquated spacecraft technology to a rather whippersnapping youngster. When the young astronaut fails to comprehend Eastwood's explanation, he snaps that "I have two master's degrees from MIT", to which Eastwood replies, "Maybe you should get your money back." Similarly, Gus van Sant's introduction to the published Good Will Hunting screenplay suggests that the lead character's animosity towards official MIT academia reflects a class struggle with ethnic undertones, in particular Will Hunting's Irish background versus the "English aristocracy" of the MIT faculty. Help!, the Beatles' second film, ties MIT to the mad scientist stereotype when Professor Foot (Victor Spinetti) declares, "MIT was after me, you know. Wanted me to rule the world for them!"

HBO's television miniseries From the Earth to the Moon (1998) contains segments set at MIT, most notably in the episode covering Apollo 14. The series portrays the Institute's denizens as very slightly eccentric engineers who do their part to keep the Apollo program running successfully.

Written works

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Nonfiction works have been written which examine MIT, its history or its various subcultures. In addition to books like Nightwork which recount the Institute's hacking tradition, Benson Snyder's The Hidden Curriculum (1970) describes the state of MIT student and faculty psychology in the late 1960s. On the fiction side, Maxwell Griffith's novel The Gadget Maker (1955) traces the life of aeronautical engineer Stanley Brack, who performs his undergraduate studies at MIT. Ben Bova's novel The Weathermakers (1966) about scientists developing methods to prevent hurricanes from reaching land, is also set in part at MIT.

Noted physicist and raconteur Richard Feynman built up a collection of anecdotes about his MIT undergraduate years, several of which are retold in his loose memoir Surely You're Joking, Mr. Feynman! Some of this material was incorporated into Matthew Broderick's film Infinity (1996), in addition to Feynman stories from Far Rockaway, Princeton and Los Alamos.

MIT is also a recurring motif in the works of Kurt Vonnegut, much like the planet Tralfamadore or the Vietnam War. In part, this recurrence may stem from Vonnegut family history: both his grandfather Bernard and his father Kurt, Sr. studied at MIT and received bachelor's degrees in architecture. His younger brother, another Bernard, earned a bachelor's and a Ph.D. in chemistry, also at MIT. Since so many of Vonnegut's stories are ambivalent or outright pessimistic with regard to technology's impact on humankind, it is hardly surprising that his references to the Institute express a mixed attitude. In Hocus Pocus (1990), the Vietnam-veteran narrator Eugene Debs Hartke applies for graduate study in MIT's physics program, but his plans go awry when he tangles with a hippie at a Harvard Square Chinese restaurant. Hartke observes that men in uniform had become a ridiculous sight around colleges, even though both Harvard and MIT obtained much of their income from weapons R&D. ("I would have been dead if it weren't for that great gift to civilization from the Chemistry Department of Harvard, which was napalm, or sticky jellied gasoline.") Jailbird notes drily that MIT's eighth president was one of the three-man committee who upheld the Sacco and Vanzetti ruling, condemning the two men to death. As reported in the 7 June 1927 Tech:

President Samuel W. Stratton has recently been appointed a member of a committee which will advise Governor Alvan T. Fuller in his course of action in the Sacco-Vanzetti case, it was announced a few days ago by the metropolitan press. The President is one of a committee of three appointed, the others being President A. Lawrence Lowell of Harvard and Judge Robert Grant. It was stated at Dr. Stratton's office that this appointment was very reluctantly accepted, for not only has the President not had experience with criminal law procedure, but he has not been following the case at all in the newspapers. It is thought by some that this very fact may result in an entirely unbiased review of the case, which might not be possible had he followed the case closely. ^[5]

Palm Sunday (1981) a loose collage of essays and other material, contains a markedly skeptical and humanist commencement address Vonnegut gave to Hobart and William Smith Colleges in Geneva, New York. Speaking of the role religion plays in modern society, Vonnegut notes

We no longer believe that God causes earthquakes and crop failures and plagues when He gets mad at us. We no longer imagine that He can be cooled off by sacrifices and festivals and gifts. I am so glad we don't have to think up presents for Him anymore. What's the perfect gift for someone who has everything?

The perfect gift for somebody who has everything, of course, is nothing. Any gifts we have should be given to creatures right on the surface of the planet, it seems to me. If God gets angry about that, we can call in the Massachusetts Institute of Technology. There's a very good chance they can calm Him down.

Kurt Vonnegut was friends with fellow humanist and writer Isaac Asimov, who resided for many years in Newton, Massachusetts. During much of this time, Asimov chose the date for the MIT Science Fiction Society's annual picnic, citing a superstition that he always picked a day with good weather. In his copious autobiographical writings, Asimov reveals a mild predilection for the Institute's architecture, and an awareness of its aesthetic possibilities. For example, In Joy Still Felt (1980) describes a 1957 meeting with Catherine de Camp, who was checking out colleges for her teenage son. Asimov recalls

I hadn't seen her for five years and she was forty-nine now, and I felt I would be distressed at seeing her beauty fade.

How wrong I was! I saw her coming down the long corridor at MIT and she looked almost as though it were still 1941, when I had first met her.

Asimov's work, too, trades on MIT's reputation for narrative effect, even touching upon the anti-intellectualism theme. In "The Dead Past" (1956), the scientist-hero Foster must overcome the attitudes his Institute physics training has entrenched in his mind, before he can make his critical breakthrough. Several jokes in Isaac Asimov's Treasury of Humor and its sequel Asimov Laughs Again hinge upon MIT, its reputation for scientific prowess, and the technocentric focus of its students. In a similar vein, the satirical newspaper The Onion published an article entitled "Corpse-Reanimation Technology Still 10 Years Off, Say MIT Mad Scientists". ^[6]

Several comic strips make use of MIT. Dilbert received a degree from Course VI-1, while Doonesbury's Kim Rosenthal almost earned her Ph.D in computer science, dropping out because it was "too easy". Bill Amend's FoxTrot has also made MIT allusions, in keeping with the strip's genial satire of nerd subcultures.

Computer and video games

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Some genres of computer and video games have characterization requirements like those of movies. For example, a game involving a team of commandos might require a member who can break into computers, crack security systems or work with explosives. This character's background would typically have to be established very quickly and efficiently, perhaps within one screen of introductory text. Stating that a commando or top-secret operative "graduated from MIT" is one way to accomplish this.

MIT is mentioned in the computer games Area 51 (1995), Half-Life (1998) and Metal Gear Solid (1998).

The Infocom game The Lurking Horror (1987) is set on the campus of the George Underwood Edwards Institute of Technology, which strongly resembles MIT. Its fictional culture also parodies the MIT culture. For instance, G.U.E. Tech's class ring is known as the brass hyrax.

Music

The song "Etoh" by the electronic music group The Avalanches describes MIT as "the home of complicated computers which speak a mechanical language all their own". This lyric can be taken literally, or it can be read metaphorically as a description of MIT student culture. Allan Sherman's paean to initialisms, "Harvey and Sheila," notes that Harvey "works for IBM; he went to MIT, got his PhD."

"Nerdcore" rap artist MC Hawking's song "All My Shootin's Be Drive-bys" (1997) takes tropes associated with gangsta rap and plays them out in a more academic setting. He speaks of taking revenge for the death of a friend:

I saw Little Pookie just the other day.

Pookie was my boy we shared Kool-aid in the park,

now some punks took his life in the dark.

I ask Doomsday who the motherfuckers be,

"some punk ass bitches from MIT."

When the narrator learns the identity of Pookie's killers, he decides to "give a Newtonian demonstration, of a bullet its mass and its acceleration", leaving six MIT students dead in the street. ^[7]